Tag Archives | Album Reviews

Woods – With Light and With Love (Review)

With Light and With Love is the eighth album that Woods has released since the band’s formation in 2005. The album, like their 2012 release Bend Beyond and those before, demonstrates the band’s remarkable ability to churn out lots of music over a relatively short amount of time. There are plenty of indie bands that […]

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Cloud Nothings – Here and Nowhere Else (Review)

When you meet a Cloud Nothings fan, the conversation can vary depending heavily on which album they are familiar with, due to the vast differences between their first three albums. Attack on Memory is flooded with patterns of build-to-explode song forms, their self-titled is lighter and upbeat, and Turning On is fuzzy and has a […]

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The Hold Steady – Teeth Dreams (Review)

Listening to The Hold Steady’s six studio albums breeds a familiarity with the subject matter more than the entire discographies of most bands can. Vocalist Craig Finn frequently mentions his (anti) heroes Gideon and Holly. The antagonist’s, besides Gideon and Holly’s plentiful self-destructive vices, frequently appear as the Cityscape Skins, a tattooed gang of thugs […]

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Mac DeMarco – Salad Days (Review)

With his last album, 2 becoming one of the most surreal albums of 2012, Mac DeMarco had high expectations to live up to with his next solo album, Salad Days. Mac, one of the goofiest and quirkiest musicians in indie-rock today, appears to have taken a different approach with this album, while still managing to […]

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Foster the People- Supermodel (Review)

After two years, Foster the People have finally answered our fan mail and love letters with the release of Supermodel. Because it is the band’s sophomore album, many people were skeptical of what Foster would choose to sound like next. This 11-track album doesn’t disappoint in new sounds, but has a different approach to style […]

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Real Estate – Atlas (Review)

Music lovers have struggled for decades whenever a band comes out with new music because it is either too derivative of what they have done before, or too different, and they should have stuck with what has worked. Real Estate’s new album, Atlas, is a true exception. It’s reminiscent of their past work without being […]

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